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Clayton's version operates in a similar way, using the first piece of music that each member of Mivos Quartet ever memorized as musical building blocks to interweave and deconstruct. Our interview with Jace dives further into these topics and more. Holographic was released on New Amsterdam Records in January Holographic by Daniel Wohl. And was documented at various junctures throughout last season. Be sure to check it out if you are in the area. Paul in commissioning and presenting Holographic , a new album and performance series created by Paris-born composer Daniel Wohl.

For the Liquid Music iteration of Holographic Feb , Wohl called on the talents of Mantra Percussion and the Holographic String Quartet featuring members of Flux Quartet and String Noise , blending the virtuosic talents of his performers and a newly commissioned visual component by artist Daniel Schwarz with rich electronic creations to bring his spellbinding multimedia work to life. At Liquid Music we think and talk a lot about the audience for new music. Our patrons inspire us creatively and in many ways shape our course.

With this blog series, we decided to go directly to the source and ask our audience members what draws them to new music, and especially to Liquid Music. In this third part of our series we talk to three couples who enjoy Liquid Music together, despite or because of? I grew up overseas and moved around a lot as a child; I lived in Tahiti from age , and the art we were exposed to there was not Gauguin. It was more indigenous, more primal art. I then lived in the high plateau area of Madagascar where there is an important cultural influence from the South Asian Indians who had settled there.

Last, I lived in Cameroon until I was Then I moved back to Paris and was there during the late 60s, which were, of course, a tumultuous time. We moved back to Minnesota when I was young since all of our family is here. My father loved classical music and this had a big influence on me. When my parents were away I would often blast Beethoven, lying on the floor between the speakers listening to it. I also sang in the church choir. I studied law at the University of Minnesota and lived and practiced law in Belgium for many years.

When I finally moved back to the Twin Cities in the late 70s I was looking for a way to become involved in the local community and a friend introduced me to The Saint Paul Chamber Orchestra. I like to be nourished and energized by listening to music, not pained by it. How did you first hear about Liquid Music? What appealed to you about the series? Liquid Music was so different! There are no parameters, there is a sense of being off-balance, and I like that. Not knowing what to expect is exciting. This is not the discordant new music of the 60s and 70s.

There is often a connection to the past, there is music from improbable sources. The multimedia aspect of Liquid Music is also very appealing. There is a lot of looking to nature now with fresh vision, imagination, and technology. The classical aspect is integrated in a very appealing way.

I also enjoy moving from one venue to another as it adds a different dimension to the experience. The sound and space are very different in each venue. It breaks down the barrier between high and low art. How many performances have you attende d? What are some of your favorite Liquid Music performances? That performance was magical. I also enjoyed Miranda Cuckson and Nina Young at the Amsterdam — the composition and soundscape in that performance was wonderful.

We loved the collaboration between music and the visual experience. What kinds of music do you listen to at home? We listen to Classical MPR and jazz stations. I particularly like Tom Waits. In fact, these days when Anne is gone and I am blaring music, it is usually the Beatles instead of Beethoven! What other arts activities do you take advantage of in the Twin Cities? I played the B flat clarinet and bass clarinet beginning in fifth grade and all of my friendships seemed to revolve around music.

We had no TV, very little radio reception, and no access to outside music events, so when I was turned loose on the world, I soaked up all of the music I could find! I still do that. I now have four kids and nine grandkids and they all sing and play instruments. Whether I like something or not, it is interesting to me. I grew up in Burma now Myanmar and was very influenced by the culture there. My father was there to set up the psychology department at the University of Rangon, so I grew up with people from all over the world.

I was pretty much self-educated in high school — I found it more interesting to travel and explore than go to school. When and how did you first hear about Liquid Musi c? They were non-traditional, new music concerts held in smaller venues times a year. The vibe was kind of similar to Liquid Music.

The performances are always a surprise and an adventure. There is great quality and variety to them. How many performances have you attended? What are some of your favorite recent Liquid Music performances and why are they favorites? I loved that it all happened in front of the curtains, and I especially liked the bingo warm up. It was like opera without singing. We were completely surprised by the mix of drama, music, and personality - a total experience. There was lots of talk about it afterwards, which is always a good sign.

There was also a lot of interaction with the audience in that performance which made the artists feel closer. The small venues Liquid Music often uses means that it is more about personality than performance —there is eye contact between the audience and the artist.

What kind of music do you listen to at home? I especially enjoy the blues, like Scottie Miller and Ruthie Foster. What other kinds of music do you go to hear live? I like to hear new and different music and prefer solo or smaller groups over large groups. I like to hear voices rather than cacophony and I like to hear kids who are still learning. Do you also attend SPCO concerts? Are you a classical music fan? Both: Yes and yes! When we are traveling we go out of our way to see and hear music - our favorite music venue in New York is Juilliard.

Classical music was pretty pervasive there. It was serendipitous to find that out that they also knew about Liquid Music. We live in St. Paul, have a fierce attachment to the city, and like to support the arts here. My mom played the piano, so I grew up with piano music, but this was something else. He was playing multiple keyboards and modifying the piano itself with other instruments. It was not unconventional just for the sake of it, but for creating new sounds that are worth hearing.

We bought CDs after that concert and have listened to them a lot. The music grows on you the deeper you delve into it. You experienced new sounds being born in front of you, coming from an instrument processed through a computer. It was also multi-sensory — I loved the music and video interaction. The visuals were not always directly in sync with the music, they sometimes took you on a detour, but they were still in an interesting dialogue with the music.

The Ordway Concert Hall is a special venue as well. You can hear everything more vibrantly there, experiencing the full spectrum of sound. That performance was technically impressive yet intimate — there was even an audience interaction component. This was another of the first performances we saw and it was in St. Paul and we recognized a lot of friends again. This is true of so many Liquid Music performances, even at the Ordway. There is such a generosity on the part of the artists. I studied in Spain so I appreciated that so much of lyrics were in Spanish.

I loved his tinsel dancers. Roberto was saying challenging things but made you feel good at the same time. It was melodic fun, everyone looked like they were enjoying themselves — it was a very cool collaborative jam session with friends. But I know classical musicians and have a personal connection to classical music. We are members of the Club and that has made trying out classical music accessible. Liquid Music is a nice balance between classical concerts and rock concerts — the music is not treated overly casually but there is still the energy of the connection with the musicians.

The artists aren't experimenting as much, you just let the music sweep over you. It has the double benefit of making you see the classical version differently. With Liquid Music you are not just listening to a beginner or some random performance. It is very calculated, thought out, and built on a foundation of classical training. There are all sorts of layers… As a photographer and videographer, I do a lot of work with musicians and artists, which adds a whole different level of understanding to the experience.

I always have to be alert, my senses are heightened. Living in downtown St.


Paul, we make ourselves get out and take advantage of so much stuff that we can easily walk to — the St. She credits her grandmother, Harriet, for encouraging her love of the performing arts and volunteering. Libby lives with her partner and their rescue dog in Minneapolis. In this wordless opera, the myth is shattered and ultimately re-made within a space that fragments story and identity, and hangs in teetering balance between solidity and hallucinatory illusion. Read last week's interview with Orpheus composer Steven Mackey here. Special thanks to Libby for putting this interview together for us.

Hi Mark. Y our website and other materials suggest that this has been a long, meandering road to be able to present this work with you and Steven. This was the first project that Steve and I ever talked about doing when we first met. That was , at the Ojai Music Festival. We were both involved in major productions there, and liked what each other were doing, respectively.

So, that was when Steve and I first agreed to make a piece with electric guitar and dance.

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It has been seven years in development, though. How do you stay excited about something that takes that long, from concept to delivery? The fear of the piece. It calls on both of us, in our own way, to go deeply back into something that we did before, and to bring it into conversation with the work we are doing now. When something feels deeply personal and important, then the stakes are much higher. Both of us felt like this was a push into the unknown. Sure, it has some of its creative juice in Northfield, but you could have debuted this in really any place.

Why Minneapolis? People love this piece. She had the faith in us and what we were doing, to trust us and to let us do something. I had a career as a dancer, before that I was a filmmaker and set designer and visual artist. Then, as I built my career as a director and I started working in music and film again, I never really went back into dance. And that was an incredibly fearful experience. I set it as a task for myself, on purpose, because I knew that it kind of scared me, and I thought it was appropriate for this project that I should do that.

But, the discovery that I had in the process was really incredible. Things I once knew but forgot. This project brought that part of my history back into my practice in a more concrete way, and I think that it will probably stay there.

Follow Mark: www. The conversation explored how the work was conceived and created, and how the audience might put the various elements into context. Where did the idea come from? SM: I had the idea for a theatrical piece for guitar and dancer when Mark and I first met in Orpheus, the son of Apollo, was known for his extraordinary ability to play the lyre. I was fascinated by the concept.

The story is classic: Orpheus falls in love with Eurydice, who is bitten by a snake, dies, and falls into the underworld. Orpheus uses his skill on the lyre to convince the gods to let her come back to earth, but sadly he fails a critical test at the last minute and she returns to Hades. The twists of the story fit well with the topography of my music, and I jumped at the chance to find ways of using the guitar to express such a wide range of emotion.

An opera without words is an unusual form. Tell us how the story gets told. The guitar itself does the singing. I use a wide range of musical ideas to characterize the many different elements of the story and electronics effects pedals and loopers expand the sound palette of the guitar into something more orchestral. Video imagery also helps set the stage, and I think it all works really well together.

I take it there are no supertitles if there are no words? How did the process work? Mark literally gave me a two-page synopsis of his understanding of the plot points in the Orpheus myth. In the beginning, Mark and I each worked separately on our vocabularies - our lexicon of materials. Then we started putting them together to see how they worked in tandem. Once we added the dancers it became a process of understanding the timing of each section. Have you done anything like this before? Follow Steve Mackey: Website: www. Over the course of the And now it has a name: Music for the Long Emergency.

You can help support this project by making a contribution to Music for the Long Emergency 's Indiegogo campaign here. Bring your curiosity and your friends.

With this new blog series, we decided to go directly to the source and ask our audience members what draws them to new music, and especially to Liquid Music. In this second part of our series we talk to three fans who are involved with Liquid Music in multiple ways. Read pt. Music is an integral part of, or way to engage, a community. When and how did you first hear about Liquid Music?

The Amsterdam had only opened recently and I was planning on presenting music but was still figuring out what types. See my comment about music and building community. Almost all of them! What are some of your favorite Liquid Music performances and why are they favorites? Dawn of Midi because they created an atmosphere — the music was hypnotic. Tim Hecker because it was written, arranged and produced to be sonically visual. I listen to a mix of contemporary electronic music, 70ss syntho pop, ambient music, some singer-songwriter stuff.

I like late 70s to early 90s kraut rock, Danish, Dutch, Belgian music…. How did you find all of this stuff? It may have started with listening to Tangerine Dream, not sure. I like Robert Fripp, Eno, Bowie. What kind of music do you play for a party? My parties always end with dance music. What other kind of music do you go to hear live? I used to go to Pitchfork all of the time because they promote independent musicians and curate what should be important.

They also book acts that influence new musicians, so you get a live sense of where this new music is coming from. They are educational and trend setting. I like some classical music, and go to the SPCO occasionally. I prefer chamber music to big orchestral pieces — there is just too much information to process with those. What upcoming Liquid Music events are you most looking forward to? All of them! I really enjoyed last weekend's Devendra Banhart and Friends Follow Jon's upcoming happenings here: www.

I've been a keyboard player for 20 years in my band Heiruspecs. But I also love strings — viola and cello. Adam Levy and I programmed a music festival there at the same time, called Southern Songbook , featuring local artists making their way through the American Songbook. I was there with Brother Ali and we were in Capetown for a week but only had to play in the festival for a couple of hours.

The rest of the time we traveled around, met great people and saw amazing things — I swam in a cage next to great white sharks! That was all about the place and the people. Another great gig was with Chastity Brown in the UK — we met Damien Rice there and also connected with Jools Holland who liked us so much we ended up performing on his show. The J ulius Eastman Memorial Dinner , of course. That was two grand pianos and two acoustic uprights and Jace was managing the sound with a sufi plug in. We had two half days to rehearse and everything came together in the first few hours.

That was a beautiful performance and the audience was great — such a diversity of people came out. I liked the Jherek Bischoff concert for its collaborative aspects and the variety of artists involved, including some SPCO musicians.


For me it is the overall experience — setting, lighting, people, visuals, mood — that makes the performance, not only the music. However, as automation makes more human labor obsolete, we need to think differently. Is Universal Basic Income the solution? Join Andrew Yang for a rational discussion on the future of work, the merits of UBI, and why we need to shift to a human-centered form of capitalism.

Critics will share insider news about surprise screenings that are off the radar of the general public. Pop-Up Museums are drawing hundreds of thousands of fans to their attractions annually by marrying music, art, VR and more. Explore creating an emotional journey in 12 rooms or less, elements of designing a successful experience with space, location, and content, and marketing tactics to draw attendees and incorporate brand partners.

What were the key sci-fi authors and ideas that most inspired them, and continue to influence them and Silicon Valley more broadly? Is that influence ultimately a good thing or a bad thing? And what can we all learn about innovation from science fiction? People are superstitious about the well. Don learns the Aristas are selling wellwater at alarming prices. Don becomes infatuated with the younger daughter, Tania. As the water level drops, possibly from theft, the situation comes to a boil, and the Aristas decide to build a massive wall.

Appetizers and beverages. He seems disoriented and he admits that he recently crossed the border illegally. The stunned Border Patrol agent handcuffs the man and sends him to a detention center for immigrants facing deportation. However, once behind bars, we learn a few things about the young man. Haunted by an unexplainable trauma from her past and compounded by a string of eerie coincidences, Adelaide grows increasingly certain that something bad is going to befall her family. After a day with friends Elisabeth Moss, Tim Heidecker , the Wilsons return to their vacation home to discover the silhouettes of four figures standing in their driveway.

From It Happened One Night to Runaway Bride, from clumsy meet cutes to rain-soaked declarations of love, these films reflect our experiences but are often just as problematic as they are comforting. Helped by a chorus of critics, actors and filmmakers, and original songs by her band Summer Camp, director Elizabeth Sankey embarks on a journey of investigation and self-discovery.

Inspired by Mr. Get your groove on at this glow-in-the-dark dance party. I am Mackenzie is a short coming of age drama about adolescence and the feeling of not belonging; the feeling of being an alien to your home, your peers, your body, your gender. It is a story about rushing towards love, and making mistakes; a story about finding the courage to look honestly at yourself. The film pivots on the question of futurity: what does the future look like from where we are standing?

And what if we are not all standing in the same place? The Hottest August offers a mirror onto a society on the verge of catastrophe. In a purpose-build warehouse set she confronts herself with the Swedish actor and masculine icon Mikael Persbrandt, and invites seven other top Scandinavian actors to live with them and act as alter egos of herself and Mikael. But when an AOL chat turns racy, she discovers masturbation and becomes guilt-ridden. Desperate and confused, she flees and meets an unlikely ally who offers an alternative view of what it means to be good.

For the first time, Alice realizes she can decide for herself what to believe and finally gets the release she needs. We toast to pop culture representations of space, explore the future of space travel, and are excited by the potential of life beyond Earth. The adventure that ensues takes the four of them on a wild journey into the depths of conspiracy theory and and Southern disillusionment.

When she takes a wrong turn and ends up deep in the backcountry, she stumbles upon what might be a potential crime scene. He became the first in his family to go to college, and went on to live the American Dream. Consumers now want immediate access to content via various formats: video, newsletter, podcast, social feeds, voice, linear-TV and more. How are media companies evolving in the face of these realities as modern media consumption lives at the intersection of these formats?

This session will explore innovative strategies in content distribution across new formats. These days we all share our location in ways that are clear Instagram tagging, Snap maps and others that are less obvious, with location collection in the background of our apps and phones. What does this mean for the future? For our personal privacy? What can we do with all the location data and the tech that powers its collection? Season tickets allow teams to build new stadiums, secure media rights, drive sponsorship revenue and seen as a benchmark for business performance by owners and leagues executives alike.

This session will bring together thought leaders from teams in the NFL, NBA, MLS as well as startups providing technology to the season ticket market to unpack the narrative that season tickets are dead. Speakers will provide data and use cases to illustrate why the season ticket is alive and well with fans and what smart teams are doing to address this underserved revenue channel. Experience the future of air travel. Hourly whiskey mixology. Film and travel meet-ups. Hot salsa challenges. Free taco lunch Saturday. Closing night queso party with Quaker City Night Hawks!

Presented by Visit Fort Worth. Come check out our debut sunglasses collection with built-in Bose speakers for an immersive audio experience unlike any other. Feeling Lucky? Stop by to enter the BoseFramesSweeps for a chance to win tickets to a music festival of your choice. By night, they transform into unique, intimate, and immersive spaces that blend art, music, and technology in unexpected ways. In Boston, and around the world, modern digital domes are inviting artists and innovators into their spaces to envision new possibilities and create powerful shared experiences that are unmatched by traditional stage venues.

This panel, consisting of producers, artists, and leaders working in the Planetarium industry, will share concepts and processes from past events and discuss how these incredible venues can push creatives from all realms to think about their work in new ways, resulting in transcendental experiences for audiences and transforming perceptions of what a modern Planetarium can be.

Secretly, Mickey fantasizes of going to college on the west coast and finally living life on her own terms. Gabourey Sidibe stars as their nurse driver, Janeane Garofalo and C. Lee also star as concerned parents hot on their trail. The film reveals the challenges and triumphs of an unconventional campaign as Beto navigates an onslaught of negative advertising, inevitable strain on his family, and the pressure of delivering for legions of supporters. The unlikely pair, her a young woman thriving in New York City and him an older married man in a small town in Canada, communicated exclusively online.

Just before he died, he sent her a message that said he had something really important to tell her. He never got the chance. In an effort to find out what it was, and to get a deeper sense of the friend she lost, she travels to his small-town home to attend his funeral. After some small talk, Randolph instructs Genevieve to act like they know each other before leading her across the park and into a parking garage elevator to sell her some weed.

They spend the night together, strolling through NYC, enjoying a newfound attraction without a spoken word uttered between them. Out of convenience, they shift to verbal communication, and, as they do, they quickly lose their romantic spark. The mission is clear, especially for Issi: to find a guy and hopefully lose her virginity before the holidays are over.

This is their last chance. During the evening they meet Samuel and Rashid, who take the girls to a bar. But the friendship between the girls are put to the test when Astrid and Samuel hits it off, and Astrid seems to get what Issi was chasing so desperately. In order to make ends meet, her older sister, a phone sex operator, introduces her to the world of internet fetish cam girls. Dynamics shift in the sister relationship as each woman explores and exploits their sexuality, using their created fantasy worlds as an escape from the realities of their challenging real life circumstances.

This bizarre coming of age story depicts sisterhood in a most unusual way. Six years. Six moments that shaped the relationship of Jenna and Leon. Pink Wall examines what defines us, the pressures of gender expectations, and our perpetual struggle between life and ambition. Body image can shape our identity if we solely focus on how we are seen by others in our daily interactions and on social media.

Through creative and somatic exercises, this circle will guide you and connect you. From singing Karaoke-style, watching Japanese parade floats to participating in traditional dance; Try a hand at the Pachinko machine and play games, games, games! Schmooze with authentic Buddhist priests to gaming geeks. Listen to Japanese court music, Japanese ballads and J-Pop! Enjoy the beauty of Japanese woodblock prints and read poetic haikus.

From traditional to pop to high tech, your experience will be a mind-boggling variety! As a Soviet citizen, he has seen up close how governments misuse their control of information. Vlcek has driven AI in security since its early days. As IoT and AI-based technologies enter our lives, they provide new opportunities for privacy violations and surveillance for cybercriminals, and governments.

Actors, comedians, musicians, athletes and other entertainers and influencers use their platform and visibility to bring attention to important issues, and fans and consumers increasingly expect their favorite artists to speak out against oppression and injustice. How do artists decide when and how to get involved with organizations and issues and what does that process look like? What does a successful relationship look like? How do they convince people to care about the issues they hold so dear and encourage more people to use their platforms for good?

The Daily Show team will offer an inside look at how they tackle politics, race and social issues on the show. Hosted by an attorney for female founders will share insights on how to grow their businesses. Is it more environmentally, economically and emotionally empowering to live a life where our clothes, homes, cars, music, entertainment, bikes, and more are rented? Can we simplify our daily lives while being more selective about what we choose to own? This session will be on funding and artist support. We know the issue exists, so the question is where do we go from here, and how do we mobilize the industry beyond talk, to action.

Kate Spencer and Doree Shafrir will share tips from skincare to fashion to self-care for entrepreneurs. Join this intimate circle to reconnect with the essence of your authentic self. Share stories and feel into this quality of being with other amazing inspired humans. Come explore how we can all live this version of ourselves more fully, day-to-day. What begins simply as a way to regain financial support soon develops into a life altering journey of self discovery, as Sasha discovers her passion for toy designing and learns to reconnect with her estranged family.

A bittersweet portrait of a fractured family, the film also offers an honest look at the human cost of things that are made in China. About seeds and genetic diversity, about growth and decay, about love and war, about hunger of all kinds.

About what it means to be human, even when all your humanity is stripped away. Caught in the grip of a war-torn Russian winter, the city is starving to death. One thing none of them bargained for, however, is a sudden zombie outbreak, from which Dave and Miss Caroline must protect the children.

In Sakawa we meet three Ghanaian youngsters who, out of desperation, turn to internet scamming with the help of black magic. Francis, who is the most experienced of them all, learns the others the tricks of the trade. What is viewed in the West as fraud, is seen by the Sakawa-boys as the exploitation of available resources. These resources come in the form of electronic waste, dumped in Ghana by the West. Through illuminating portraits of three artists: a photographer, a dancer and a writer, the film looks at the ways each artist was affected by the loss of their vision and the ways in which their creative process has changed or adapted.

When their car dies after a gas station robbery, they break into a nearby house looking for a new set of wheels. What they find instead is a dark secret, and a sweet-as-pie pair of homeowners who will do anything to keep it from getting out. Just as he is about to make a u-turn, he crosses paths with a group of teenage boys hanging out at the local soccer field. After a few beers and common experiences shared, the man invites the boys to follow him to an unknown destination. Can they really trust this charismatic stranger? He distracts himself by joking and bickering with his employee, Ali, while they work the night shift.

Down the street, a high school girl, Iris, lies to her father on the phone and prepares for a night of partying. Reminded of his own daughter, Amir decides to help the girls out. Youth A teenager finds herself in new territory after she decides to approach her crush at a party. When they end up alone in his car, she is pushed to consider her own boundaries for the first time. Incel Sam is a reclusive, anti-social young man who has been absorbed into a toxic web forum. When his countless real-life efforts at love fail, this anonymous community pushes him over the edge to a dangerous conclusion.

His multi-media company is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films. How the hell did he get from there to here and how do these two view that evolution? He will speak about his mini-series adaptation of Good Omens. Guy promises a far-ranging discussion about the state of American government, the inside story of how Washington DC works, and the threats and promises of the American political system. This panel will discuss the emergence of female-focused platforms and how these spaces can provide safety, authenticity, and empathy.

Panel will discuss where we draw the line between hopeful medical advances and the dystopia of designer babies and how we can make sure everyone can participate in a debate about what it means to be human? She must deliver most of her income to a mafia boss, who protects and exploits her.

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An unexpected incident will give her the opportunity to break free from her captor and seek justice with her own hands. How are these leaders tackling the unique challenges of managing teams that are in many cases, predominantly male? How are they mentoring teams to build more inclusive work environments? Ricky is the star jock with a secret in his pants he dare not expose. Fear of Flying — Erica Jong A Question of Power — Bessie Head The Siege of Krishnapur — J. Crash — J. The Honorary Consul — Graham Greene The Black Prince — Iris Murdoch Sula — Toni Morrison Invisible Cities — Italo Calvino The Breast — Philip Roth The Summer Book — Tove Jansson G — John Berger Surfacing — Margaret Atwood House Mother Normal — B.

Johnson In A Free State — V. The Book of Daniel — E. Thompson The Wild Boys — William Burroughs Rabbit Redux — John Updike The Sea of Fertility — Yukio Mishima The Ogre — Michael Tournier The Bluest Eye — Toni Morrison Mercier et Camier — Samuel Beckett Troubles — J. Jahrestage — Uwe Johnson The Atrocity Exhibition — J.

Tent of Miracles — Jorge Amado Pricksongs and Descants — Robert Coover Slaughterhouse-five — Kurt Vonnegut, Jr. The Green Man — Kingsley Amis The Godfather — Mario Puzo Ada — Vladimir Nabokov Them — Joyce Carol Oates Eva Trout — Elizabeth Bowen Myra Breckinridge — Gore Vidal The Nice and the Good — Iris Murdoch Belle du Seigneur — Albert Cohen Cancer Ward — Aleksandr Isayevich Solzhenitsyn Clarke Do Androids Dream of Electric Sheep? Dick The German Lesson — Siegfried Lenz In Watermelon Sugar — Richard Brautigan A Kestrel for a Knave — Barry Hines The Quest for Christa T.

Chocky — John Wyndham The Master and Margarita — Mikhail Bulgakov Pilgrimage — Dorothy Richardson The Joke — Milan Kundera No Laughing Matter — Angus Wilson A Man Asleep — Georges Perec Trawl — B. In Cold Blood — Truman Capote The Magus — John Fowles The Vice-Consul — Marguerite Duras Wide Sargasso Sea — Jean Rhys Giles Goat-Boy — John Barth The Crying of Lot 49 — Thomas Pynchon Things — Georges Perec God Bless You, Mr.

Rosewater — Kurt Vonnegut The Passion According to G. Sometimes a Great Notion — Ken Kesey Come Back, Dr. Caligari — Donald Bartholme Albert Angelo — B. Arrow of God — Chinua Achebe The Ravishing of Lol V. Stein — Marguerite Duras Herzog — Saul Bellow The Graduate — Charles Webb Manon des Sources — Marcel Pagnol Inside Mr. Enderby — Anthony Burgess The Bell Jar — Sylvia Plath The Collector — John Fowles A Clockwork Orange — Anthony Burgess Pale Fire — Vladimir Nabokov The Drowned World — J.

The Golden Notebook — Doris Lessing Labyrinths — Jorg Luis Borges Stranger in a Strange Land — Robert Heinlein Franny and Zooey — J. Salinger A Severed Head — Iris Murdoch Faces in the Water — Janet Frame Solaris — Stanislaw Lem Catch — Joseph Heller How It Is — Samuel Beckett Our Ancestors — Italo Calvino To Kill a Mockingbird — Harper Lee Rabbit, Run — John Updike Promise at Dawn — Romain Gary Cider With Rosie — Laurie Lee Billy Liar — Keith Waterhouse Naked Lunch — William Burroughs Absolute Beginners — Colin MacInnes Henderson the Rain King — Saul Bellow Memento Mori — Muriel Spark The Leopard — Giuseppe Tomasi di Lampedusa Things Fall Apart — Chinua Achebe Borstal Boy — Brendan Behan The End of the Road — John Barth The Once and Future King — T.

White The Bell — Iris Murdoch Jealousy — Alain Robbe-Grillet Voss — Patrick White The Midwich Cuckoos — John Wyndham Blue Noon — Georges Bataille Homo Faber — Max Frisch On the Road — Jack Kerouac Pnin — Vladimir Nabokov Doctor Zhivago — Boris Pasternak Justine — Lawrence Durrell The Lonely Londoners — Sam Selvon The Roots of Heaven — Romain Gary Seize the Day — Saul Bellow The Floating Opera — John Barth The Lord of the Rings — J.

Tolkien The Talented Mr. Ripley — Patricia Highsmith Lolita — Vladimir Nabokov A World of Love — Elizabeth Bowen The Trusting and the Maimed — James Plunkett The Quiet American — Graham Greene The Recognitions — William Gaddis The Ragazzi — Pier Paulo Pasolini Self Condemned — Wyndham Lewis A Ghost at Noon — Alberto Moravia Lord of the Flies — William Golding Under the Net — Iris Murdoch The Go-Between — L.

Hartley The Long Goodbye — Raymond Chandler The Unnamable — Samuel Beckett Watt — Samuel Beckett Lucky Jim — Kingsley Amis Junkie — William Burroughs Casino Royale — Ian Fleming Invisible Man — Ralph Ellison Memoirs of Hadrian — Marguerite Yourcenar Malone Dies — Samuel Beckett Day of the Triffids — John Wyndham Foundation — Isaac Asimov The Opposing Shore — Julien Gracq The Catcher in the Rye — J.

The Rebel — Albert Camus Molloy — Samuel Beckett The End of the Affair — Graham Greene The Abbot C — Georges Bataille The Labyrinth of Solitude — Octavio Paz The Third Man — Graham Greene The 13 Clocks — James Thurber Gormenghast — Mervyn Peake The Grass is Singing — Doris Lessing I, Robot — Isaac Asimov The Moon and the Bonfires — Cesare Pavese Love in a Cold Climate — Nancy Mitford The Heat of the Day — Elizabeth Bowen Kingdom of This World — Alejo Carpentier Nineteen Eighty-Four — George Orwell All About H.

Hatterr — G. Desani Disobedience — Alberto Moravia Death Sentence — Maurice Blanchot The Heart of the Matter — Graham Greene Cry, the Beloved Country — Alan Paton Doctor Faustus — Thomas Mann The Victim — Saul Bellow Exercises in Style — Raymond Queneau Under the Volcano — Malcolm Lowry The Plague — Albert Camus Back — Henry Green Titus Groan — Mervyn Peake The Bridge on the Drina — Ivo Andri?

Brideshead Revisited — Evelyn Waugh Animal Farm — George Orwell Cannery Row — John Steinbeck The Pursuit of Love — Nancy Mitford Loving — Henry Green Christ Stopped at Eboli — Carlo Levi Transit — Anna Seghers Ficciones — Jorge Luis Borges Dangling Man — Saul Bellow Caught — Henry Green Embers — Sandor Marai Go Down, Moses — William Faulkner The Outsider — Albert Camus In Sicily — Elio Vittorini The Living and the Dead — Patrick White Hangover Square — Patrick Hamilton Between the Acts — Virginia Woolf The Hamlet — William Faulkner Farewell My Lovely — Raymond Chandler Native Son — Richard Wright The Power and the Glory — Graham Greene The Tartar Steppe — Dino Buzzati Party Going — Henry Green The Grapes of Wrath — John Steinbeck Finnegans Wake — James Joyce Coming Up for Air — George Orwell Goodbye to Berlin — Christopher Isherwood Tropic of Capricorn — Henry Miller Good Morning, Midnight — Jean Rhys The Big Sleep — Raymond Chandler Nausea — Jean-Paul Sartre Rebecca — Daphne du Maurier Cause for Alarm — Eric Ambler Brighton Rock — Graham Greene Murphy — Samuel Beckett Of Mice and Men — John Steinbeck The Hobbit — J.

The Years — Virginia Woolf In Parenthesis — David Jones The Revenge for Love — Wyndham Lewis Eyeless in Gaza — Aldous Huxley The Thinking Reed — Rebecca West Gone With the Wind — Margaret Mitchell Keep the Aspidistra Flying — George Orwell Wild Harbour — Ian MacPherson Absalom, Absalom! At the Mountains of Madness — H. Lovecraft Nightwood — Djuna Barnes The Last of Mr.

Norris — Christopher Isherwood The House in Paris — Elizabeth Bowen England Made Me — Graham Greene Burmese Days — George Orwell The Nine Tailors — Dorothy L. Sayers Threepenny Novel — Bertolt Brecht Novel With Cocaine — M. Ageyev Cain Tropic of Cancer — Henry Miller A Handful of Dust — Evelyn Waugh Tender is the Night — F. Scott Fitzgerald Thank You, Jeeves — P. Wodehouse Call it Sleep — Henry Roth Miss Lonelyhearts — Nathanael West Murder Must Advertise — Dorothy L.

The Autobiography of Alice B. Toklas — Gertrude Stein Testament of Youth — Vera Brittain A Day Off — Storm Jameson Brave New World — Aldous Huxley Cold Comfort Farm — Stella Gibbons To the North — Elizabeth Bowen The Thin Man — Dashiell Hammett The Radetzky March — Joseph Roth The Waves — Virginia Woolf The Glass Key — Dashiell Hammett Cakes and Ale — W. Somerset Maugham The Apes of God — Wyndham Lewis Her Privates We — Frederic Manning Vile Bodies — Evelyn Waugh The Maltese Falcon — Dashiell Hammett Hebdomeros — Giorgio de Chirico Passing — Nella Larsen A Farewell to Arms — Ernest Hemingway Red Harvest — Dashiell Hammett Living — Henry Green The Time of Indifference — Alberto Moravia The Last September — Elizabeth Bowen Harriet Hume — Rebecca West The Sound and the Fury — William Faulkner Les Enfants Terribles — Jean Cocteau Look Homeward, Angel — Thomas Wolfe Story of the Eye — Georges Bataille Orlando — Virginia Woolf Lawrence The Well of Loneliness — Radclyffe Hall The Childermass — Wyndham Lewis Quartet — Jean Rhys Decline and Fall — Evelyn Waugh Quicksand — Nella Larsen Steppenwolf — Herman Hesse Remembrance of Things Past — Marcel Proust To The Lighthouse — Virginia Woolf Tarka the Otter — Henry Williamson Amerika — Franz Kafka Blindness — Henry Green The Castle — Franz Kafka The Plumed Serpent — D.

The Making of Americans — Gertrude Stein Manhattan Transfer — John Dos Passos Dalloway — Virginia Woolf The Great Gatsby — F. The Trial — Franz Kafka The Artamonov Business — Maxim Gorky Billy Budd, Foretopman — Herman Melville The Green Hat — Michael Arlen The Magic Mountain — Thomas Mann We — Yevgeny Zamyatin A Passage to India — E. Forster The Devil in the Flesh — Raymond Radiguet Cane — Jean Toomer Antic Hay — Aldous Huxley Amok — Stefan Zweig The Garden Party — Katherine Mansfield The Enormous Room — E.

Cummings Siddhartha — Herman Hesse The Glimpses of the Moon — Edith Wharton Babbitt — Sinclair Lewis Ulysses — James Joyce The Fox — D. Crome Yellow — Aldous Huxley The Age of Innocence — Edith Wharton Main Street — Sinclair Lewis Women in Love — D. Night and Day — Virginia Woolf Tarr — Wyndham Lewis The Return of the Soldier — Rebecca West The Shadow Line — Joseph Conrad Summer — Edith Wharton Growth of the Soil — Knut Hamsen Bunner Sisters — Edith Wharton Under Fire — Henri Barbusse Rashomon — Akutagawa Ryunosuke The Voyage Out — Virginia Woolf The Rainbow — D.

Kokoro — Natsume Soseki Locus Solus — Raymond Roussel Rosshalde — Herman Hesse